My favorite jam was Nashville super group Sixwire and their 10-minute medley of amazing guitar songs and solo lines. It recently showed up on the Taylor web site and YouTube.

The list of songs include: Life in the Fast Lane (Eagles), Day Tripper (Beatles), Up and Around the Bend (Credence Clearwater Revival), Reelin in the Years (Steely Dan), Brown Sugar (Rolling Stones), Smoke on the Water (Deep Purple), Jessica (Allman Brothers), Band on the Run (Wings), Sweet Child of Mine (Guns n Roses), Layla (Derek and the Dominoes), Peace of Mind (Boston), Beat It (Michael Jackson), Pretty Woman (Roy Orbison), Hold on Loosely (38 Special), Whole Lotta Love (Led Zepplin), Back in Black (ACDC), Aint Talking Bout Love (Van Halen), Walk This Way (Aerosmith), Another One Bites the Dust (Queen), Tush (ZZ Top), Freebird (Lynard Skynard), Do YOu Feel Like We Do (Peter Frampton).

Sit back and relax – This is AWESOME!

“I met Doug Sewell at the Dallas International Guitar Show several years ago and needed an amp for that evening’s performance, so I borrowed one of his and was floored,” said Paul Smith. “We started working on this series and tried every conceivable component and circuit combination. Derek Trucks, David Grissom and several other known amp tone artists are now using this new amplifier line both live and in the studio. We’re pleased to be working with Doug and to have him leading the PRS amp team.”

Guitarists seeking classic British and American tones with what Doug Sewell calls “Texas attitude” will likely latch on to the Blue Sierra. With gain structured for equally great cleans to medium gain overdrive tones, the Blue Sierra works well with both single coils and humbuckers. Medium gain settings allow aggressive cleans to crunch easily and are controllable with pick attack.

Recalling ‘50’s American amps but with very wide gain structure, the Original Sewell model PRS amp provides expressive tone centering in the medium to medium high range. Tones are warm and harmonically rich giving an expressive quality to lead work. Smoothness is emphasized with sweet highs and tight lows surrounding a fat, warm midrange.

Check out the blistering 25-minute concert Eric gave at NAMM 2009 to the few…lucky…attendees who crammed into the Fender booth…

Depending on who you talk to, the “Product of the Show” will vary. For me, there was a clear winner. It’s the Taylor T3. Taylor calls it “Chrome Plated Cool”.

Here’s the scoop from the Taylor website:

“Following the success of the T5 and SolidBody models, and born from a love of innovative design and classic electric tone, Taylor Guitars is expanding its electric line with the company’s first purely electric semi-hollowbody guitar, the T3.”

Melding the sleek lines and shape of the T5 into a semi-hollowbody, the T3 features an expertly crafted body of sapele, topped with quilted maple. A svelte neck of tropical American mahogany sports heftier fret wire for a truly electric feel, while brilliant chrome hardware adorns the T3 for a ready-to-rock look that screams electric, vintage and cool.

While the T3 offers plenty for any player on its own, the designers at Taylor decided to take the new line up a notch in a variation, the T3B. Marking a first for the company, the T3B includes an authentic Bigsby Vibrato (model B70). The T3B incorporates a roller bridge for high performance, allowing the player the independence in setting the intonation of each string and eliminating the “dragging string” sound so commonly found in fixed bridges. The standard T3 model comes with a stop tailpiece.

“This is one rockin’ guitar that produces sounds our SolidBodys and T5s don’t have. When you do something that looks good, that’s one thing, but when cool sounds start coming out, you go, ‘Man, that’s just it.’ We knew this guitar was too good to hold back,” shares David Hosler, lead designer.

The new model includes Taylor’s Style 2 humbuckers which are specially positioned to capture the T3’s fidelity and range of tones. A three-way switch covers three standard configurations of pickup switching and as an added twist, coil splitting is available for both humbuckers by pulling up on the volume knob.

“The way I describe it is, imagine you have a guitar with two humbuckers and a three-way, and you have a guitar with two single coils and a three-way, which gives you that really cool, ‘bitey’ sound,” adds Hosler.

The control knobs, located in the traditional electric position below the bridge on the lower bout, function as push-pull pots. Pulling up on the volume knob activates a coil splitter, which turns the humbuckers into single coils. The tone knob is also a pull switch, which when pulled engages a second capacitor.

Hosler explains, “In the down position, one capacitor punches up the mid tones. Then when you pull the knob up, it adds another capacitor on top of it and uncorks a warm, fat, mellow old-school jazz tone. In between these two voices, this guitar spans the spectrum from traditional, hard rock to jazzy fusion. Even when overdriven, the air, articulation and distinction of all notes are there.”

The T3 and T3B will be available domestically in mid-February and internationally in early spring 2009… and I WANT ONE!